When you realize that most of the agents you originally submitted your novel to have died of old age, and you can start on a whole new generation.
“I want an advance of … one MILLION dollars!”
In the last post I mentioned the new map in the most recent edition of my book Castle Falcon. The map can be found on the Castle Falcon website, but what the heck, here it is.
I created a new edition of my book, Castle Falcon, including a new map. While updating the book was simple enough in both Kindle and Createspace, I was hoping I could convince Amazon to provide free updates of the improved book to previous Kindle purchasers.
Guess not. From their Help section:
“Some examples of corrections that don’t justify sending updates to customers who previously purchased your book are:
• New Content Added: Chapter(s) or page(s) added, deleted or revised; new images added; bonus chapter added.”
For the record, there is a list of changes that do justify an update to Kindle customers at Amazon’s help site. Mostly they involve major mistakes.
After I officially published the new edition of Castle Falcon (under the new Golden Spider Books imprint), there were two paperback editions for sale at Amazon.
With some excellent guidance from Createspace support, I managed to gently ease the old edition off the book’s page at Amazon.
The first step was going to the Createspace production site, and my dashboard there. I opened the old edition up, and went to Channels (under Distribution). There I just unselected all the channels, and the old book went off sale.
A request to Createspace support then “retired” the old edition. Everything on the page survived the switch, and it was basically effortless.
The old edition still survives under the surface: if you click on “all 3 formats” on the book’s Amazon page, the Kindle and new paperback edition come up. Opening a dropdown under “paperback” shows the May 2012 edition, still available as a used book from four vendors. That’s okay by me.
For a short time after the switch, when I did a general title search, the Kindle and old paperback popped up, but that got fixed. Only thing I’m waiting for now is for the preview to update. I’ll keep an eye on the Amazon book page to make sure everything stays sorted out.
After having had my book Castle Falcon on the market for a few years, I decided it might look a bit better if it had a company as the publisher instead of just me.
Of course, this doesn’t make any real difference in how things get done, but I think that a book gets taken just a bit more seriously if there’s an imprint on the copyright page. Okay, maybe not, but I still thought it would look better.
I’d picked the publishing name a while ago. In Castle Falcon, a major character is Aurachne (yes, I spelled it that way on purpose), the Golden Spider. She loves reading. So the company would be Golden Spider Books.
I whipped up an icon, which was a lot of fun:
The hard part was finding a 3D spider model online that was stylistic enough to not look creepy. As it is, I still had to delete the mandibles.
Then the work part:
Step One was creating the company. How you do this depends a bit on where you live, but here in California, you have to set up a “DBA” (Doing Business As). There’s a form to fill out for your county, and a small fee to pay to get registered. You also have to pay to get an announcement in the business section of your local paper. That’s pretty much it as far as I know, at least to get started.
Step Two was to go to Bowker, where I’d originally purchased my ISBN numbers for my various editions. I was pleased to find out that I could simply transfer my existing ISBN numbers to Golden Spider Books by request, and not have to buy a whole new set.
Step Three was going through my various editions and updating the copyright page and covers to add the new imprint and logo. Since I didn’t have to republish most of them under new ISBNs, this mostly involved updating the interiors for e-books and Lulu editions, and updating the cover image file (Createspace version below) for the latter.
The Createspace edition was a bit more difficult. When I originally published at Createspace, I just ran it through using Createspace as the publisher, where they provide their own ISBN number and add their barcode box to the cover image. Most people do it this way, and there’s nothing wrong with that.
To replace this with my own imprint and ISBN number required me to create an actual new edition, a second Createspace publication. I had no problems with this, updating the interior and cover (including logo and new ISBN barcode). I’m currently waiting on a proof copy of the new version. The only visible difference is the logo on the cover and some copyright text. I also added an “about the author” page at the end.
The real trick will be shoehorning the new Createspace edition into my Amazon setup and still retaining all my links, access to my five hard-won reviews, and other information. Particularly since I probably have to take the first edition off the market. More on this later (I hope).
(With bonus Pixar content from the book Creativity, Inc.)
I’ve found that while critiques are useful, it soon becomes apparent that they aren’t usually very consistent. What’s listed as a problem for one critic is sometimes another critic’s favorite part.
One key is looking for patterns. If several separate people think your tense isn’t right for the story, they may be on to something.
It also makes a difference who’s doing the critiquing. Sorry, but all else being equal, an experienced opinion from a writing professional should probably carry more weight than your writing group’s opinion (unless your writing group has a best-selling author or two in it).
That doesn’t mean the professionals can’t be wrong. They sometimes are.
When it comes down to it, you have to develop enough experience and maturity to judge your work yourself, and that isn’t easy. I’m still working on it.
Apparently there are tiny scorpions that protect your old books against booklice.
I never knew about this until I read about it in a blog entry by E. H. Kern.
Come to that, I didn’t know that much about booklice.
For a lot more than any sensible person really wants to know about book scorpions, check out this Scientific American article.
I’m still coming to terms with the concept of eyelash mites.
Now that I think about it, the best book ever involving eyelash mites is Jay Hosler’s Sandwalk Adventures, A wonderful look at Darwin and natural selection from the viewpoint of both Charles Darwin and a smart and engaging little eyelash mite.
As the website says, there’s no guarantee how accurate this is, but it’s interesting.
Terry Pratchett is Number 11.
I don’t have much eloquence right now on this. Suffice it to say that Terry Pratchett was one of my greatest inspirations to write, and is prominently mentioned in the acknowledgements of my first book.