“Zorya” available now!

Zorya is now available on Amazon in Kindle, paperback, and hardcover (casebound). I’ll be getting it into more e-book formats soon. See the Zorya website for purchase links.

This book has been marinating for a long time and was sent to many agents and editors. I’m grateful that self-publishing has gotten to be so much easier and inexpensive for authors, although the real hurdles (as always) are in marketing the book after you publish it. Still, I remember when “self-publishing” meant paying a printer, stacking boxes of books in your garage, and trying to figure out how to get them to the readers and stores.

All it’s cost me (so far) was some time, a few skills, and my computer. That may change now that I’m in the advertising zone. I notice, for example, that book giveaways on Goodreads aren’t free anymore.

I used Kindle Direct Publishing for all three Amazon editions. Paperbacks used to be a separate process on Amazon’s Createspace, and they didn’t have a hardcover option at all until recently, but now all three options are integrated into KDP.

The Kindle version was composed on Microsoft Word, and crunched into Epub3 by Calibre. I used the simple “iPod” cover I had generated in Photoshop for my old Lulu editions. The paper editions were composed in Adobe InDesign CS6 and uploaded as PDF files.

Now, we’ll see.

Book Goggles

I’m a voracious reader, the type who will read cereal boxes if nothing else is available. For me, the Kindle has been a godsend. Books are available at the touch of a button, and the bookstore is nearly infinite. Yeah, there’s something to holding and reading a real book. It feels and smells good, and it’s a work of art on its own.

But with a Kindle I can carry over a thousand books anywhere I go (it’s actually more if you consider the “Complete Works of…” collections I have that are listed as a single book).

I don’t have to hold the pages of a Kindle open with a weight while I’m eating, and if I’m eating ribs or something I can turn pages with my wrist. Also, the Kindle wipes off better if food gets on it. The new Paperwhites are waterproof now, have 32 GB of memory, and an illuminated screen for reading in bed.

The downside is that it’s so very easy to get a new book online. Imagine a regular bookstore where you can buy a book just by tapping it on the shelf. I’d have to bring a wheelbarrow.

And what do you do when your favorite authors aren’t turning out work fast enough? (Or are mostly dead, which is another issue). Then you have to give some new authors a try. With the Kindle online store, they will cheerfully shove large numbers of new works in front of you at every opportunity, with algorithms designed around your previous purchases and clicks. The free sample option makes things even easier. But how do you make the final selections?

In my younger days, there was a somewhat crude term called “Beer Goggles.” It’s when you go to a bar, looking for company, and the night wears on. After enough beers, and enough time, those sketchy-looking people you didn’t really want to approach when you walked in start looking a lot better.*

Same for online book buying. When you are really hard up for something new to read, and recent books from your favorite authors aren’t available, some of the lower tiers start looking a lot more interesting. You know … “Book Goggles.”

Hmmm…maybe this one about a leprechaun private detective would be okay. Or a garage that repairs flying saucers. Dragon romance? Sample looks acceptable. 99 cents? Okay, I’m there, man.

You can strike paydirt this way. The book turns out to be pretty good, and if you’re lucky, the first of an already-existing eight-book series. Or something pops up out of the blue. “What? Ray Bradbury wrote noir detective stories?”

And however your Book Goggle shopping turns out, it sure beats a cereal box.

* I didn’t go to bars when I was young, or drink beer, but I got the concept.

Amazon hardcover edition looking good

I got the first test version of my Amazon hardcover edition of Castle Falcon (discussed in the previous post) and I’m quite happy with it.

Lulu casebound on left, Amazon hardcover on right

It’s thicker than the earlier casebound Lulu version, and about a quarter pound heavier. I used cream paper, which looks better. I can sell it a bit cheaper than the Lulu version, too.

Createspace to move book projects over to Kindle Direct Publishing

Just a reminder for anyone publishing using Amazon’s Createspace: they will be automatically moving your Createspace account over to Kindle Direct Publishing in the near future as the two services merge.

More info here:

https://kdp.amazon.com/en_US/help/topic/GSJULX3WGP36HQ3R

This probably won’t affect me much since it just moves a completed book, but if you are in the middle of the publishing process, pay close attention.

Kindle’s Direct Publishing’s new paperback option

Up until now, self-publishers who went with Amazon usually used Kindle Direct Publishing (KDP) to produce Kindle books, and Createspace to produce paperbacks.

I did this with Castle Falcon, and it worked quite well.

Now Amazon is pushing an option to produce a paperback from the KDP interface, bypassing Createspace.

I’m quite happy with my Createspace edition, and too many of the KDP paperback features fall under the “not yet” category. That, and I never, ever, use the “beta” version of anything. I think it’s likely that Amazon will eventually phase out Createspace in favor of an integrated e-book/paperback KDP, but I’ll deal with that when the time comes.

Sending an updated Kindle edition to previous customers

I created a new edition of my book, Castle Falcon, including a new map. While updating the book was simple enough in both Kindle and Createspace, I was hoping I could convince Amazon to provide free updates of the improved book to previous Kindle purchasers.

Guess not. From their Help section:

“Some examples of corrections that don’t justify sending updates to customers who previously purchased your book are:

•   New Content Added: Chapter(s) or page(s) added, deleted or revised; new images added; bonus chapter added.”

Oh, well.

For the record, there is a list of changes that do justify an update to Kindle customers at Amazon’s help site.  Mostly they involve major mistakes.

Switching to a new edition on my book’s Amazon page

After I officially published the new edition of Castle Falcon (under the new Golden Spider Books imprint), there were two paperback editions for sale at Amazon.

With some excellent guidance from Createspace support, I managed to gently ease the old edition off the book’s page at Amazon.

The first step was going to the Createspace production site, and my dashboard there. I opened the old edition up, and went to Channels (under Distribution). There I just unselected all the channels, and the old book went off sale.

A request to Createspace support then “retired” the old edition. Everything on the page survived the switch, and it was basically effortless.

The old edition still survives under the surface: if you click on “all 3 formats” on the book’s Amazon page, the Kindle and new paperback edition come up. Opening a dropdown under “paperback” shows the May 2012 edition, still available as a used book from four vendors. That’s okay by me.

For a short time after the switch, when I did a general title search, the Kindle and old paperback popped up, but that got fixed. Only thing I’m waiting for now is for the preview to update. I’ll keep an eye on the Amazon book page to make sure everything stays sorted out.

Self-publishing: creating your own publishing company

After having had my book Castle Falcon on the market for a few years, I decided it might look a bit better if it had a company as the publisher instead of just me.

Of course, this doesn’t make any real difference in how things get done, but I think that a book gets taken just a bit more seriously if there’s an imprint on the copyright page. Okay, maybe not, but I still thought it would look better.

I’d picked the publishing name a while ago. In Castle Falcon, a major character is Aurachne (yes, I spelled it that way on purpose), the Golden Spider. She loves reading. So the company would be Golden Spider Books.

I whipped up an icon, which was a lot of fun:

The hard part was finding a 3D spider model online that was stylistic enough to not look creepy. As it is, I still had to delete the mandibles.

Then the work part:

Step One was creating the company. How you do this depends a bit on where you live, but here in California, you have to set up a “DBA” (Doing Business As). There’s a form to fill out for your county, and a small fee to pay to get registered. You also have to pay to get an announcement in the business section of your local paper. That’s pretty much it as far as I know, at least to get started.

Step Two was to go to Bowker, where I’d originally purchased my ISBN numbers for my various editions. I was pleased to find out that I could simply transfer my existing ISBN numbers to Golden Spider Books by request, and not have to buy a whole new set.

Step Three was going through my various editions and updating the copyright page and covers to add the new imprint and logo. Since I didn’t have to republish most of them under new ISBNs, this mostly involved updating the interiors for e-books and Lulu editions, and updating the cover image file (Createspace version below) for the latter.

The Createspace edition was a bit more difficult. When I originally published at Createspace, I just ran it through using Createspace as the publisher, where they provide their own ISBN number and add their barcode box to the cover image. Most people do it this way, and there’s nothing wrong with that.

To replace this with my own imprint and ISBN number required me to create an actual new edition, a second Createspace publication. I had no problems with this, updating the interior and cover (including logo and new ISBN barcode). I’m currently waiting on a proof copy of the new version. The only visible difference is the logo on the cover and some copyright text. I also added an “about the author” page at the end.

The real trick will be shoehorning the new Createspace edition into my Amazon setup and still retaining all my links, access to my five hard-won reviews, and other information. Particularly since I probably have to take the first edition off the market. More on this later (I hope).

 

 

 

Nook’s new POD service

Nook Press has come out with a Print-On-Demand (POD) service.

Note that this isn’t like Amazon’s Createspace — Barnes and Noble isn’t going to put your paperback up for sale online or in stores. It’s more like an alternative to Lulu.

I fed Castle Falcon into the system to see what I would get. Like Lulu and Createspace, you upload PDF files for interiors and covers.

The purchase price is lower than for Lulu books. My hardcover dust jacket version would cost me $16.42 at Nook versus $22.55 for the Lulu version. A Nook casewrap version is $14.92 versus $19.55 at Lulu. A Nook Press 9×6 paperback is about $10.00, compared to $6.80 if I order a copy of my Createspace version, so they don’t beat Amazon’s price for author orders. They barely beat Amazon’s $11.69 retail price. There don’t seem to be any quantity discounts.

I don’t know what the binding and printing quality for the Nook version would be. My main complaint so far is that the Nook cover creator is primitive compared to the options available for cover creation at Lulu or Createspace.

Nook lets you upload a front and back cover PDF image. That’s it. For dust jacket covers, front and back flaps are plain white. Nothing else. You get to pick a spine color: black, white, or tan. Spine text is in a font of their choosing (see my Nook Press cover below).

Check out that elegant spine art. Not sure where that white rectangle under the barcode came from either.

On the other hand, Lulu and Createspace have several methods for making covers ranging from easy-to-use online template options all the way up to advanced single-image options where I can upload one image, an actual layout that wraps all the way around the book, flaps and all (see my Lulu dust jacket below). The latter is a pain to create in Photoshop, requiring careful attention to size and positions, but at least I control everything and the spine looks like it belongs to the cover.

It’s possible the Nook POD system will improve. It’s cheaper than Lulu, but I won’t be using it unless I can bring things like covers and fonts up to my standards.

Smashwords update

Castle Falcon was approved by Smashwords for inclusion in their “premium catalog,” and has been shipped to six new markets so far, including Apple and Kobo. I “opted out” of Amazon and Barnes & Noble, where I already had the book set up.  Again, not bad results for no fee and not much work.

The Apple version is up on iTunes already.