I’m past my targeted halfway point in Zorya, at almost 45,000 words, and the thing happened that I worry about most when I’m writing. I discovered that I have a critical plot point that manages to negate a big chunk of the rest of the plot.
It’s not the first time it’s happened, not even the first time for this book, but I hate it. First I have to work out some kind of solution that doesn’t sound stupid, or demand an entire flotilla of gods descending in machines. Then I have to alter and rework text all through the manuscript to make sure it’s in line with the solution. You know what that’s like?
My wife has a bunch of necklaces hanging in a necklace cabinet. Often several of them on one wooden peg (no room otherwise). Sometimes when you take one off they snag, and all come off together and fall in a shiny tangled knot of very fine and near-identical chains. I have to sit there with something pointy like a pin and carefully tweak each loop free, tugging gently to avoid tightening the knot, often passing one loop through another multiple times, until all the chains are finally separated. It takes a long time.
It’s like that.